Suzuri

A calm interface language. Structure comes from the room left around things, one wet brushstroke and a single vermilion seal.

Read the DESIGN.md

The room does the ordering

No borders, no boxes. Planes of washi paper sit on the ground with a soft shadow and a lot of air, and the empty space between them says what belongs together. You read the emptiness first, then the mark inside it.

Outer margin, desktop
40 to 96px
Outer margin, tablet
24 to 40px
Outer margin, phone
16 to 24px
Between clusters
64px
Between planes
96px
Border width
0px

One stroke, where you are

A single wet fude stroke pools under the live control, the focused field or the heading at hand. It is the only linework on the page, and it moves with you. Try the three below.

Ink wash painting of an inkstone with a pool of black ink and an ink stick laid across it

Planes sit on ma. Shadow is soft and grounded, never a border.

Three hands, one voice

Mincho sets the title, a quiet gothic carries the work, and labels stay the same gothic at a slightly wider tracking. Hierarchy is position and space before it is weight or colour.

Ink

Display, Zen Old Mincho 900, 56 to 120px here, 88 to 440px on the hero

Planes on ma

Heading, Zen Old Mincho 700, 34 to 86px

The work is read in a gothic that stays out of the way.

Body, Zen Kaku Gothic New 400, 17 to 19px, line height 1.75

Counts and labels

Label, Zen Kaku Gothic New 500, 17px, tracking .08em

One seal, kept for what is true

Vermilion is a seal, not a colour to spread around. It stamps a status, a count or a confirmation at a two degree tilt, and shows up once in a view. The same square comes in three states.

Confirmed
Pending
Archived

The ink is ground

Tokens, rules and the portable DESIGN.md are published with the language.

Read the DESIGN.md