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Loam

Painting: Wash layering, Pigment granulation

Loam example 1
Loam model comparison 2
Loam model comparison 3

The prompt

{subject}, hand-painted earth-pigment gouache and watercolor washes layered like geological strata, pigments bleeding softly into one another with granulating sediment pooling in the grain, a delicate slightly-irregular hand-drawn contour line tracing the forms like botanical-illustration linework, {palette}, visible canvas-weave and handmade-paper texture filling the entire frame, matte and tactile, muted and desaturated, warm unhurried light, full-frame composition with no border or whitespace

Materials
Earth pigments, Gouache, Watercolor, Canvas, Handmade paper
Techniques
Wash layering, Pigment granulation

earth pigment, watercolor wash, geological strata, contour line, handmade paper

Slot recipes

How the prompt changes for each kind of picture.

  • Hero: {subject} composed as a wide full-bleed scene, earth-pigment strata washes spanning the frame edge to edge, contour line drawing the principal forms, parchment-cream and terracotta dominating with mossy-green and ochre accents, generous airy negative passages in the wash for overlay legibility
  • Feature: a single {subject} centered, mineral-pigment washes pooling around it, organic contour line, taupe-and-clay midtones, paper grain visible throughout
  • Avatar: a close head-and-shoulders {subject}, earth-pigment strata across the face, irregular botanical-illustration contour line, warm terracotta-and-moss palette, full-frame no border
  • Empty state: a sparse quiet {subject} with abundant soft parchment wash around it, faint granulating sediment, minimal contour line, calm and unhurried, room for a short message
  • Illustration: {subject} rendered in full earth-pigment strata washes with confident organic contour line, mossy green and terracotta and mustard ochre layered like sediment, tactile handmade-paper grain across the whole frame

Guidance

Do

  • Layer the washes like geological strata so color shifts in soft horizontal-ish bands across the form
  • Let pigments bleed and granulate — leave sediment pooling in the texture for tactile depth
  • Draw with a single slightly-irregular contour line, the way a botanical-illustration plate is inked
  • Keep the whole palette muted and earthy: terracotta, fungal taupe, mossy green, warm clay, mustard ochre, parchment cream
  • Fill the entire frame with the painted surface; the canvas/paper grain reads everywhere
  • Keep light warm, matte, and unhurried

Don’t

  • Don't paint a deckle-edge, mat, or paper border inside the frame — no whitespace surround
  • Don't saturate the color or add synthetic gloss / digital sharpness
  • Don't show the apparatus (brushes, palette, easel) — the technique is on the subject, not the studio
  • Don't let the subject domain dictate the style — it dresses a face, a city, or a teapot equally
  • Don't render hard vector edges or flat fills; everything is wash, bleed, and contour

In the lineage of

  • Earth-pigment wash painting, tradition. geological layered washes

A generated style is an aggregate of many influences. Credit goes to the artists and traditions it draws on; it is not a claim of authorship.

Produced by unrecorded, sourced by unrecorded, images by unrecorded

Remix with this style

Apply Loam to any UI language and swap the palette: the preview takes this style's hero image.