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Affiche

A portable design language for agents: download the markdown first, then inspect the preview, tokens, and rules as needed.

Download DESIGN.md

Portable DESIGN.md — tokens plus the paired art style. Agents must generate real images.

the spec

specification

philosophy
summary
Affiche is a two-ink poster language for interfaces: every surface is exactly two spot passes on bone stock, the overlap of the two plates computes a third colour, and a knockout is the absence of both. State, hierarchy and emphasis are all decisions about which plates are down and how far off true the second one landed.
values
two inks plus the stock, and nothing mixed in a bucketstate expressed as a printing event rather than as decorationsquare geometry throughout, because everything here is cutdepth as a second impression with zero blura quiet ground under every line of copy, however loud the plates get
anti-values
×glass, blur and glow×a coloured rail on the edge of a card×rounded corners in a cut-paper language×an inflated mid-scale that makes a page read zoomed-in×a third mixed ink, or a gradient standing in for an overprint
visual character
two spot inks on bone stock with a bottle-green overprint wherever they cross (mix-blend-mode: multiply)a halftone dot screen on ink fields, faded to nothing behind copyhard un-blurred offset impressions (4px at rest, 7px picked up) instead of shadowsknockouts: shapes and letterforms punched to bare paper as the brightest valueborder-radius 0 on every element, poster-scale uppercase display, mono job-ticket furniture at 11.5–12.5px
lineage
A reimagining of Risograph Spot-Color Editorial that keeps its spot-ink, screen and poster-scale soul while replacing the offset-headline device with an overprint-and-knockout mechanic drawn from two-colour screenprinting and the French affiche tradition.
tokens
colors14 items
bg
#f0e9d6
surface
#fdfaef
surface_solid
#ffffff
text
#15150f
muted
#4f4b3d
border
#15150f
accent
#02707f
accent_2
#ffd12b
accent_soft
#0b4a3a
on_accent
#fdfaef
success
#0b4a3a
warning
#8a5a00
error
#9b2418
info
#02707f
typography10 items
base size
17px
body font
Instrument Sans
heading font
Staatliches
mono font
DM Mono
heading weight
400
heading transform
uppercase
letter spacing
-0.02em
line height
1.6
scale ratio
1.25
google fonts url
https://fonts.googleapis.com/css2?family=DM+Mono:wght@300;400;500&family=Instrument+Sans:wght@400;500&family=Staatliches&display=swap
radii4 items
none
0px
md
16px
lg
24px
full
9999px
shadows3 items
sm
2px 2px 0 rgba(21,21,15,0.14)
md
4px 4px 0 #ffd12b
lg
9px 9px 0 rgba(2,112,127,0.28)
spacing2 items
base
8px
scale
4, 8, 12, 16, 24, 32, 48, 64, 96
surfaces3 items
treatment
paper
card style
bone sheets sitting on a deeper press-bed ground, separated by value and generous margin, never outlined and never blurred
bg pattern
halftone dot screen on ink fills, quieted to nothing wherever copy sits
borders4 items
default width
0
accent width
2px
style
solid
character
horizontal poster rules only — full-measure ink rules separating bands, and hairlines between table rows; never a card outline, never a vertical edge rail
motion3 items
duration
220ms
easing
cubic-bezier(0.2, 0.8, 0.2, 1)
philosophy
one press cycle: the plate travels, lands, and settles on an easing tail — a fast approach with a soft finish, never a bounce
radius_stance1
"0 everywhere. The allowed set {0,16,24,9999} is a palette; this language uses only 0, because every shape in it is cut."
rules
composition
Compose pages as printed sheets on a press bed: one full-bleed plate with display type placed into its quiet region, then bands of bone sheets separated by value alone. Asymmetry is welcome; outlines are not. Every band has one focal point and a quiet ground under its copy.
hierarchy
Two ends and almost no middle. Uppercase Staatliches display carries the poster moments; Instrument Sans at exactly 17px regular carries everything you read; DM Mono at 11.5–12.5px carries run numbers, ink codes and register readings. Ledes stop at 20px and the whole mid-tier compresses toward body scale.
density

Medium. Generous margins and poster-scaled vertical rhythm between bands; tight, tabular spacing inside a sheet. Never a crowded cluster beside a starved void.

signature patterns
the second pull: rest carries one plate, hover lands the second plate 3px off register, active drives it to 1px, selection knocks the shape out to bare paperoverprint by multiply: overlapping ink layers use mix-blend-mode multiply so the third colour is computed by the page at the overlapregister as a live reading: the offset is shown as a number in mm and, on the landing, driven by the pointerdot gain: halftone screens coarsen under pressure, so the same field reads as a photograph at 10px and a countable grid at 110pxink-keyed status: severity and progress are carried by which ink a chip, dot or meter is printed in, never by a rail on an element's edge
layout
grid
A 12-column editorial grid on desktop collapsing to 8 at tablet and 4 on mobile, with full-bleed plates spanning 100vw and contained content capped at 1500px and centred on ultra-wide.
breakpoints

mobile: 0-767px, tablet: 768-1099px, desktop: 1100px+, wide: 1600px+

whitespace
Generous outer margins and poster-scaled space between bands; always pad above a title; compress spacing inside a sheet so tables and job tickets stay dense and legible.
guidance
do
  • build every surface from exactly two ink passes plus the stock
  • let the overprint green appear only where the two plates actually cross
  • express state as a printing event: plate down, plate off register, knocked out
  • keep the halftone screen visible on large fills and quiet it to nothing under copy
  • set every number in mono on tabular numerals
  • separate surfaces by value — the sheet is brighter than the bed
avoid
  • outline a card, or hang a coloured rail on any edge of one
  • set type in marigold, or place small accent text over imagery
  • round anything
  • introduce a third mixed ink, a gradient, or a blurred shadow
  • inflate the middle of the type scale
  • trap navigation in a pill or a floating bar
imagery
pairs with

emulsion

illustration style
Two-ink screenprints on bone stock: flat hard-edged cut shapes with no internal shading, a coarse halftone carrying every mid-tone, and plates laid a hair off register so a sliver of the under-ink shows along contours.
hero image direction
One full-bleed plate whose composition reserves a large quiet region — a flat ink sky, an empty deck, an open water band — for the display type. The type is placed into that region rather than scrimmed over a busy one.
icon style

Inline SVG at 2px stroke in currentColor; square terminals; no filled pictograms and no emoji.

image gen prompts
A working harbour at low tide with gantry cranes over a moored trawler — a two-ink screenprint on bone-white uncoated paper, aqua teal and marigold yellow printed one plate after the other, overlaps multiplying into deep bottle green, flat hard-edged cut shapes, coarse halftone mid-tones, plates a hair off register, generous bare-paper sky. NO text, NO letters, NO logosA woman in a knotted headscarf looking back over her shoulder — same two-ink screenprint technique, generous bare-paper negative space around the head. NO text, NO letters, NO logos
katagami spec
# Affiche

## Philosophy

Affiche is a two-ink poster language for interfaces: every surface is exactly two spot passes on bone stock, the overlap of the two plates computes a third colour, and a knockout is the absence of both. State, hierarchy and emphasis are all decisions about which plates are down and how far off true the second one landed.

### Values

- two inks plus the stock, and nothing mixed in a bucket
- state expressed as a printing event rather than as decoration
- square geometry throughout, because everything here is cut
- depth as a second impression with zero blur
- a quiet ground under every line of copy, however loud the plates get

### Anti-Values

- glass, blur and glow
- a coloured rail on the edge of a card
- rounded corners in a cut-paper language
- an inflated mid-scale that makes a page read zoomed-in
- a third mixed ink, or a gradient standing in for an overprint

### Visual Character

- two spot inks on bone stock with a bottle-green overprint wherever they cross (mix-blend-mode: multiply)
- a halftone dot screen on ink fields, faded to nothing behind copy
- hard un-blurred offset impressions (4px at rest, 7px picked up) instead of shadows
- knockouts: shapes and letterforms punched to bare paper as the brightest value
- border-radius 0 on every element, poster-scale uppercase display, mono job-ticket furniture at 11.5–12.5px

### Lineage

> A reimagining of Risograph Spot-Color Editorial that keeps its spot-ink, screen and poster-scale soul while replacing the offset-headline device with an overprint-and-knockout mechanic drawn from two-colour screenprinting and the French affiche tradition.

## Tokens

### Colors

| Name | Value |
|------|-------|
| bg | `#f0e9d6` |
| surface | `#fdfaef` |
| surface_solid | `#ffffff` |
| text | `#15150f` |
| muted | `#4f4b3d` |
| border | `#15150f` |
| accent | `#02707f` |
| accent_2 | `#ffd12b` |
| accent_soft | `#0b4a3a` |
| on_accent | `#fdfaef` |
| success | `#0b4a3a` |
| warning | `#8a5a00` |
| error | `#9b2418` |
| info | `#02707f` |

### Typography

- **Base Size**: 17px
- **Body Font**: Instrument Sans
- **Heading Font**: Staatliches
- **Mono Font**: DM Mono
- **Heading Weight**: 400
- **Heading Transform**: uppercase
- **Letter Spacing**: -0.02em
- **Line Height**: 1.6
- **Scale Ratio**: 1.25
- **Google Fonts Url**: https://fonts.googleapis.com/css2?family=DM+Mono:wght@300;400;500&family=Instrument+Sans:wght@400;500&family=Staatliches&display=swap

### Radii

- **None**: 0px
- **Md**: 16px
- **Lg**: 24px
- **Full**: 9999px

### Shadows

- **Sm**: 2px 2px 0 rgba(21,21,15,0.14)
- **Md**: 4px 4px 0 #ffd12b
- **Lg**: 9px 9px 0 rgba(2,112,127,0.28)

### Spacing

- **Base**: 8px
- **Scale**: [4,8,12,16,24,32,48,64,96]

### Surfaces

- **Treatment**: paper
- **Card Style**: bone sheets sitting on a deeper press-bed ground, separated by value and generous margin, never outlined and never blurred
- **Bg Pattern**: halftone dot screen on ink fills, quieted to nothing wherever copy sits

### Borders

- **Default Width**: 0
- **Accent Width**: 2px
- **Style**: solid
- **Character**: horizontal poster rules only — full-measure ink rules separating bands, and hairlines between table rows; never a card outline, never a vertical edge rail

### Motion

- **Duration**: 220ms
- **Easing**: cubic-bezier(0.2, 0.8, 0.2, 1)
- **Philosophy**: one press cycle: the plate travels, lands, and settles on an easing tail — a fast approach with a soft finish, never a bounce

### Radius Stance

0 everywhere. The allowed set {0,16,24,9999} is a palette; this language uses only 0, because every shape in it is cut.

## Rules

### Composition

Compose pages as printed sheets on a press bed: one full-bleed plate with display type placed into its quiet region, then bands of bone sheets separated by value alone. Asymmetry is welcome; outlines are not. Every band has one focal point and a quiet ground under its copy.

### Hierarchy

Two ends and almost no middle. Uppercase Staatliches display carries the poster moments; Instrument Sans at exactly 17px regular carries everything you read; DM Mono at 11.5–12.5px carries run numbers, ink codes and register readings. Ledes stop at 20px and the whole mid-tier compresses toward body scale.

### Density

Medium. Generous margins and poster-scaled vertical rhythm between bands; tight, tabular spacing inside a sheet. Never a crowded cluster beside a starved void.

### Signature Patterns

- the second pull: rest carries one plate, hover lands the second plate 3px off register, active drives it to 1px, selection knocks the shape out to bare paper
- overprint by multiply: overlapping ink layers use mix-blend-mode multiply so the third colour is computed by the page at the overlap
- register as a live reading: the offset is shown as a number in mm and, on the landing, driven by the pointer
- dot gain: halftone screens coarsen under pressure, so the same field reads as a photograph at 10px and a countable grid at 110px
- ink-keyed status: severity and progress are carried by which ink a chip, dot or meter is printed in, never by a rail on an element's edge

## Layout

### Grid

A 12-column editorial grid on desktop collapsing to 8 at tablet and 4 on mobile, with full-bleed plates spanning 100vw and contained content capped at 1500px and centred on ultra-wide.

### Breakpoints

mobile: 0-767px, tablet: 768-1099px, desktop: 1100px+, wide: 1600px+

### Whitespace

Generous outer margins and poster-scaled space between bands; always pad above a title; compress spacing inside a sheet so tables and job tickets stay dense and legible.

## Guidance

### Do

- build every surface from exactly two ink passes plus the stock
- let the overprint green appear only where the two plates actually cross
- express state as a printing event: plate down, plate off register, knocked out
- keep the halftone screen visible on large fills and quiet it to nothing under copy
- set every number in mono on tabular numerals
- separate surfaces by value — the sheet is brighter than the bed

### Don't

- outline a card, or hang a coloured rail on any edge of one
- set type in marigold, or place small accent text over imagery
- round anything
- introduce a third mixed ink, a gradient, or a blurred shadow
- inflate the middle of the type scale
- trap navigation in a pill or a floating bar

## Imagery Direction

### Pairs With

emulsion

### Illustration Style

Two-ink screenprints on bone stock: flat hard-edged cut shapes with no internal shading, a coarse halftone carrying every mid-tone, and plates laid a hair off register so a sliver of the under-ink shows along contours.

### Hero Image Direction

One full-bleed plate whose composition reserves a large quiet region — a flat ink sky, an empty deck, an open water band — for the display type. The type is placed into that region rather than scrimmed over a busy one.

### Icon Style

Inline SVG at 2px stroke in currentColor; square terminals; no filled pictograms and no emoji.

### Image Gen Prompts

- A working harbour at low tide with gantry cranes over a moored trawler — a two-ink screenprint on bone-white uncoated paper, aqua teal and marigold yellow printed one plate after the other, overlaps multiplying into deep bottle green, flat hard-edged cut shapes, coarse halftone mid-tones, plates a hair off register, generous bare-paper sky. NO text, NO letters, NO logos
- A woman in a knotted headscarf looking back over her shoulder — same two-ink screenprint technique, generous bare-paper negative space around the head. NO text, NO letters, NO logos
DESIGN.md
---
version: "alpha"
name: "Affiche"
description: "Agent-curated design language exported from Katagami as DESIGN.md."
colors:
  bg: "#f0e9d6"
  surface: "#fdfaef"
  surface_solid: "#ffffff"
  text: "#15150f"
  muted: "#4f4b3d"
  border: "#15150f"
  accent: "#02707f"
  accent_2: "#ffd12b"
  accent_soft: "#0b4a3a"
  on_accent: "#fdfaef"
  success: "#0b4a3a"
  warning: "#8a5a00"
  error: "#9b2418"
  info: "#02707f"
typography:
  headline-lg:
    fontFamily: "Staatliches"
    fontSize: "2.075rem"
    fontWeight: 700
    lineHeight: 1.1
    letterSpacing: "-0.02em"
  headline-md:
    fontFamily: "Staatliches"
    fontSize: "1.66rem"
    fontWeight: 600
    lineHeight: 1.15
    letterSpacing: "-0.02em"
  body-md:
    fontFamily: "Instrument Sans"
    fontSize: "17px"
    fontWeight: 400
    lineHeight: 1.5
    letterSpacing: "-0.02em"
  label-md:
    fontFamily: "DM Mono"
    fontSize: "0.75rem"
    fontWeight: 600
    lineHeight: 1
    letterSpacing: "0.08em"
rounded:
  none: "0px"
  md: "16px"
  lg: "24px"
  full: "9999px"
spacing:
  base: "8px"
  xs: "4px"
  sm: "8px"
  md: "12px"
  lg: "16px"
  xl: "24px"
  2xl: "32px"
  3xl: "48px"
  4xl: "64px"
  step-8: "96px"
components:
  color-reference-bg:
    backgroundColor: "{colors.bg}"
  color-reference-surface:
    backgroundColor: "{colors.surface}"
  color-reference-surface_solid:
    backgroundColor: "{colors.surface_solid}"
  color-reference-text:
    backgroundColor: "{colors.text}"
  color-reference-muted:
    backgroundColor: "{colors.muted}"
  color-reference-border:
    backgroundColor: "{colors.border}"
  color-reference-accent:
    backgroundColor: "{colors.accent}"
  color-reference-accent_2:
    backgroundColor: "{colors.accent_2}"
  color-reference-accent_soft:
    backgroundColor: "{colors.accent_soft}"
  color-reference-on_accent:
    backgroundColor: "{colors.on_accent}"
  color-reference-success:
    backgroundColor: "{colors.success}"
  color-reference-warning:
    backgroundColor: "{colors.warning}"
  color-reference-error:
    backgroundColor: "{colors.error}"
  color-reference-info:
    backgroundColor: "{colors.info}"
  button-primary:
    backgroundColor: "{colors.accent}"
    textColor: "#ffffff"
    typography: "{typography.label-md}"
    rounded: "{rounded.md}"
    padding: "{spacing.md}"
  card-surface:
    backgroundColor: "{colors.surface}"
    textColor: "{colors.text}"
    rounded: "{rounded.md}"
    padding: "{spacing.md}"
  input-default:
    backgroundColor: "{colors.surface}"
    textColor: "{colors.text}"
    rounded: "{rounded.md}"
    height: "44px"
---

# Affiche

## Overview

Affiche is a two-ink poster language for interfaces: every surface is exactly two spot passes on bone stock, the overlap of the two plates computes a third colour, and a knockout is the absence of both. State, hierarchy and emphasis are all decisions about which plates are down and how far off true the second one landed.

### Values

- two inks plus the stock, and nothing mixed in a bucket
- state expressed as a printing event rather than as decoration
- square geometry throughout, because everything here is cut
- depth as a second impression with zero blur
- a quiet ground under every line of copy, however loud the plates get

### Anti-Values

- glass, blur and glow
- a coloured rail on the edge of a card
- rounded corners in a cut-paper language
- an inflated mid-scale that makes a page read zoomed-in
- a third mixed ink, or a gradient standing in for an overprint

### Visual Character

- two spot inks on bone stock with a bottle-green overprint wherever they cross (mix-blend-mode: multiply)
- a halftone dot screen on ink fields, faded to nothing behind copy
- hard un-blurred offset impressions (4px at rest, 7px picked up) instead of shadows
- knockouts: shapes and letterforms punched to bare paper as the brightest value
- border-radius 0 on every element, poster-scale uppercase display, mono job-ticket furniture at 11.5–12.5px

### Lineage

> A reimagining of Risograph Spot-Color Editorial that keeps its spot-ink, screen and poster-scale soul while replacing the offset-headline device with an overprint-and-knockout mechanic drawn from two-colour screenprinting and the French affiche tradition.

## Colors

Use the YAML color tokens as the normative palette. The prose below names the roles agents should preserve when generating UI.

| Token | Value |
|-------|-------|
| bg | `#f0e9d6` |
| surface | `#fdfaef` |
| surface_solid | `#ffffff` |
| text | `#15150f` |
| muted | `#4f4b3d` |
| border | `#15150f` |
| accent | `#02707f` |
| accent_2 | `#ffd12b` |
| accent_soft | `#0b4a3a` |
| on_accent | `#fdfaef` |
| success | `#0b4a3a` |
| warning | `#8a5a00` |
| error | `#9b2418` |
| info | `#02707f` |

## Typography

- **Headline-Lg**: Staatliches, 2.075rem, weight 700, line-height 1.1.
- **Headline-Md**: Staatliches, 1.66rem, weight 600, line-height 1.15.
- **Body-Md**: Instrument Sans, 17px, weight 400, line-height 1.5.
- **Label-Md**: DM Mono, 0.75rem, weight 600, line-height 1.

## Layout

### Spacing Tokens

- **Base**: `8px`
- **Xs**: `4px`
- **Sm**: `8px`
- **Md**: `12px`
- **Lg**: `16px`
- **Xl**: `24px`
- **2xl**: `32px`
- **3xl**: `48px`
- **4xl**: `64px`
- **Step-8**: `96px`

### Grid

A 12-column editorial grid on desktop collapsing to 8 at tablet and 4 on mobile, with full-bleed plates spanning 100vw and contained content capped at 1500px and centred on ultra-wide.

### Breakpoints

mobile: 0-767px, tablet: 768-1099px, desktop: 1100px+, wide: 1600px+

### Whitespace

Generous outer margins and poster-scaled space between bands; always pad above a title; compress spacing inside a sheet so tables and job tickets stay dense and legible.

## Elevation & Depth

### Shadows

- **Sm**: 2px 2px 0 rgba(21,21,15,0.14)
- **Md**: 4px 4px 0 #ffd12b
- **Lg**: 9px 9px 0 rgba(2,112,127,0.28)

## Shapes

### Rounded

- **None**: `0px`
- **Md**: `16px`
- **Lg**: `24px`
- **Full**: `9999px`

### Surfaces

- **Treatment**: paper
- **Card Style**: bone sheets sitting on a deeper press-bed ground, separated by value and generous margin, never outlined and never blurred
- **Bg Pattern**: halftone dot screen on ink fills, quieted to nothing wherever copy sits

### Borders

- **Default Width**: 0
- **Accent Width**: 2px
- **Style**: solid
- **Character**: horizontal poster rules only — full-measure ink rules separating bands, and hairlines between table rows; never a card outline, never a vertical edge rail

## Components

### Composition

Compose pages as printed sheets on a press bed: one full-bleed plate with display type placed into its quiet region, then bands of bone sheets separated by value alone. Asymmetry is welcome; outlines are not. Every band has one focal point and a quiet ground under its copy.

### Hierarchy

Two ends and almost no middle. Uppercase Staatliches display carries the poster moments; Instrument Sans at exactly 17px regular carries everything you read; DM Mono at 11.5–12.5px carries run numbers, ink codes and register readings. Ledes stop at 20px and the whole mid-tier compresses toward body scale.

### Density

Medium. Generous margins and poster-scaled vertical rhythm between bands; tight, tabular spacing inside a sheet. Never a crowded cluster beside a starved void.

### Signature Patterns

- the second pull: rest carries one plate, hover lands the second plate 3px off register, active drives it to 1px, selection knocks the shape out to bare paper
- overprint by multiply: overlapping ink layers use mix-blend-mode multiply so the third colour is computed by the page at the overlap
- register as a live reading: the offset is shown as a number in mm and, on the landing, driven by the pointer
- dot gain: halftone screens coarsen under pressure, so the same field reads as a photograph at 10px and a countable grid at 110px
- ink-keyed status: severity and progress are carried by which ink a chip, dot or meter is printed in, never by a rail on an element's edge

## shadcn/ui Usage

When the target app uses shadcn/ui, copy DESIGN.md with shadcn instead of the plain DESIGN.md. It contains the same Katagami design-language source plus the shadcn/ui primitives, imports, theme variables, component recipes, and preview-shot guidance.

DESIGN.md with shadcn: `/language/en-019ffc43-1a16-7f20-aeac-15b6de748608/DESIGN.with-shadcn.md`.

The shadcn page also exposes optional machine-readable files for automation, but the human-facing handoff is DESIGN.md with shadcn.

Install recommended primitives with `npx shadcn@latest add button card input textarea select dialog sheet tabs badge separator checkbox switch slider tooltip dropdown-menu table`.

Use these primitives in shadcn apps:
- button
- card
- input
- textarea
- select
- dialog
- sheet
- tabs
- badge
- separator
- checkbox
- switch
- slider
- tooltip
- dropdown-menu
- table

Implementation rule for agents: import shadcn primitives from `@/components/ui/*`, apply the generated CSS variables first, then compose the language-specific recipes from the companion MD. Katagami remains the source of truth; shadcn names are the implementation surface.

## Do's and Don'ts

- Do build every surface from exactly two ink passes plus the stock
- Do let the overprint green appear only where the two plates actually cross
- Do express state as a printing event: plate down, plate off register, knocked out
- Do keep the halftone screen visible on large fills and quiet it to nothing under copy
- Do set every number in mono on tabular numerals
- Do separate surfaces by value — the sheet is brighter than the bed
- Don't outline a card, or hang a coloured rail on any edge of one
- Don't set type in marigold, or place small accent text over imagery
- Don't round anything
- Don't introduce a third mixed ink, a gradient, or a blurred shadow
- Don't inflate the middle of the type scale
- Don't trap navigation in a pill or a floating bar

## Imagery Direction

### Pairs With

emulsion

### Illustration Style

Two-ink screenprints on bone stock: flat hard-edged cut shapes with no internal shading, a coarse halftone carrying every mid-tone, and plates laid a hair off register so a sliver of the under-ink shows along contours.

### Hero Image Direction

One full-bleed plate whose composition reserves a large quiet region — a flat ink sky, an empty deck, an open water band — for the display type. The type is placed into that region rather than scrimmed over a busy one.

### Icon Style

Inline SVG at 2px stroke in currentColor; square terminals; no filled pictograms and no emoji.

### Image Gen Prompts

- A working harbour at low tide with gantry cranes over a moored trawler — a two-ink screenprint on bone-white uncoated paper, aqua teal and marigold yellow printed one plate after the other, overlaps multiplying into deep bottle green, flat hard-edged cut shapes, coarse halftone mid-tones, plates a hair off register, generous bare-paper sky. NO text, NO letters, NO logos
- A woman in a knotted headscarf looking back over her shoulder — same two-ink screenprint technique, generous bare-paper negative space around the head. NO text, NO letters, NO logos
shadcn/ui theme
```json
{
  "$schema": "https://ui.shadcn.com/schema/registry-item.json",
  "name": "affiche",
  "type": "registry:theme",
  "title": "Affiche shadcn Theme",
  "cssVars": {
    "theme": {},
    "light": {
      "background": "#f0e9d6",
      "foreground": "#15150f",
      "card": "#fdfaef",
      "card-foreground": "#15150f",
      "popover": "#fdfaef",
      "popover-foreground": "#15150f",
      "primary": "#15150f",
      "primary-foreground": "#ffffff",
      "secondary": "#f4f4f5",
      "secondary-foreground": "#111111",
      "muted": "#4f4b3d",
      "muted-foreground": "#15150f",
      "accent": "#02707f",
      "accent-foreground": "#ffffff",
      "destructive": "#9b2418",
      "border": "#15150f",
      "input": "#15150f",
      "ring": "#02707f",
      "chart-1": "#15150f",
      "chart-2": "#f4f4f5",
      "chart-3": "#02707f",
      "chart-4": "#0b4a3a",
      "chart-5": "#8a5a00",
      "sidebar": "#fdfaef",
      "sidebar-foreground": "#15150f",
      "sidebar-primary": "#15150f",
      "sidebar-primary-foreground": "#ffffff",
      "sidebar-accent": "#02707f",
      "sidebar-accent-foreground": "#ffffff",
      "sidebar-border": "#15150f",
      "sidebar-ring": "#02707f",
      "radius": "16px"
    },
    "dark": {
      "background": "#0f1115",
      "foreground": "#f8fafc",
      "card": "#181b22",
      "card-foreground": "#f8fafc",
      "popover": "#181b22",
      "popover-foreground": "#f8fafc",
      "primary": "#15150f",
      "primary-foreground": "#ffffff",
      "secondary": "#252a33",
      "secondary-foreground": "#f8fafc",
      "muted": "#252a33",
      "muted-foreground": "#a1a1aa",
      "accent": "#02707f",
      "accent-foreground": "#ffffff",
      "destructive": "#9b2418",
      "border": "#303642",
      "input": "#303642",
      "ring": "#02707f",
      "chart-1": "#15150f",
      "chart-2": "#f4f4f5",
      "chart-3": "#02707f",
      "chart-4": "#0b4a3a",
      "chart-5": "#8a5a00",
      "sidebar": "#181b22",
      "sidebar-foreground": "#f8fafc",
      "sidebar-primary": "#15150f",
      "sidebar-primary-foreground": "#ffffff",
      "sidebar-accent": "#02707f",
      "sidebar-accent-foreground": "#ffffff",
      "sidebar-border": "#303642",
      "sidebar-ring": "#02707f",
      "radius": "16px"
    }
  },
  "meta": {
    "source": "katagami",
    "languageId": "en-019ffc43-1a16-7f20-aeac-15b6de748608",
    "slug": "affiche",
    "componentManifest": [
      "button",
      "card",
      "input",
      "textarea",
      "select",
      "dialog",
      "sheet",
      "tabs",
      "badge",
      "separator",
      "checkbox",
      "switch",
      "slider",
      "tooltip",
      "dropdown-menu",
      "table"
    ],
    "installCommand": "npx shadcn@latest add button card input textarea select dialog sheet tabs badge separator checkbox switch slider tooltip dropdown-menu table",
    "nativeTokenNames": {
      "colors": [
        "accent",
        "accent_2",
        "accent_soft",
        "bg",
        "border",
        "error",
        "info",
        "muted",
        "on_accent",
        "success",
        "surface",
        "surface_solid",
        "text",
        "warning"
      ],
      "typography": [
        "base_size",
        "body_font",
        "google_fonts_url",
        "heading_font",
        "heading_transform",
        "heading_weight",
        "letter_spacing",
        "line_height",
        "mono_font",
        "scale_ratio"
      ],
      "radii": [
        "full",
        "lg",
        "md",
        "none"
      ],
      "shadows": [
        "lg",
        "md",
        "sm"
      ],
      "spacing": [
        "base",
        "scale"
      ],
      "surfaces": [
        "bg_pattern",
        "card_style",
        "treatment"
      ],
      "borders": [
        "accent_width",
        "character",
        "default_width",
        "style"
      ],
      "motion": [
        "duration",
        "easing",
        "philosophy"
      ]
    }
  }
}
```
in the wild

embodiments

DESIGN.md

at a glance

Typography

headline-lgStaatliches · 33px · 700

The quick brown fox jumps

headline-mdStaatliches · 27px · 600

The quick brown fox jumps

body-mdInstrument Sans · 17px · 400

The quick brown fox jumps

label-mdDM Mono · 12px · 600

The quick brown fox jumps

shadcn/ui

implementation kit

built with
Palette
Credits · in the lineage of
  • Two-colour screenprintingTraditionThe overprint-and-knockout logic, the register tolerance, and the drying wall come straight from small-run screen shops that pull one plate at a time.
  • French affiche poster printingTraditionThe masthead, the poster-scale display type and the flat cut-shape imagery follow the lithographic and screenprinted affiche tradition.
  • Risograph duplicator printingTraditionInherited from the parent language: limited spot inks, a visible screen, and misregistration treated as character.
  • Halftone process reproductionTraditionRotated screens at 15 and 75 degrees, dot gain under pressure, and coverage read as a percentage.

A generated style is an aggregate of many influences — credit is given to the artists and traditions it draws on, not a claim of authorship.

produced by claude-opus-5[1m] · sourced by claude-opus-5[1m] · images by FLUX1.1 [pro] ultra

remix lane

try a remix

Keep Affiche and swap a palette and an art style onto it. The landing & dashboard recolor live.

UI language · fixed
Affiche
Palette
Art style
Landing Page
live preview · recolored + filled
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