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Litmus

A portable design language for agents: download the markdown first, then inspect the preview, tokens, and rules as needed.

Download DESIGN.md

Portable DESIGN.md — tokens plus the paired art style. Agents must generate real images.

the spec

specification

philosophy
summary
Colour is a reading rather than a garnish. Every stateful surface in Litmus is a paper strip with a dye field and a hairline seam at the point the measurement stopped, and the number is printed on that seam so a value is never separated from the position it came from.
values
semantic colourmeasured honestysquare geometryinstrument legibilityeditorial restraint
anti-values
×decorative hue×rounded softness×glow and gradient×ambient particle weather×status by hue alone
visual character
graphite ink ground with square bone-paper strips and hard zero-blur black offsetsa 2px ruler-straight seam on every stateful control with the reading set on it in monodye fills occupy whole regions of a control and never outline oneIBM Plex Mono for anything an instrument measured; Archivo at 17px regular for proseborder-radius 0 on every element in every artifact
lineage
A reimagining of Chromatic Decision Lab: the same conviction that colour must carry meaning, moved from a calm white workbench onto an ink bench where the hue arrives as a dye front and stops at a seam.
tokens
colors14 items
bg
#0F1014
surface
#17181D
surface_solid
#F1EEE5
text
#EFECE3
muted
#8C8E97
border
#26282F
accent
#E51F4B
accent_2
#2A47B8
accent_soft
#C7E01B
on_accent
#F5F2E9
success
#C7E01B
warning
#E8A317
error
#E51F4B
info
#2A47B8
typography10 items
base size
17px
body font
Archivo
heading font
Archivo
mono font
IBM Plex Mono
heading weight
700
heading transform
none
letter spacing
-0.02em
line height
1.55
scale ratio
1.28
google fonts url
https://fonts.googleapis.com/css2?family=Archivo:wght@400;500;600;700&family=IBM+Plex+Mono:wght@400;500&display=swap
radii4 items
none
0px
md
0px
lg
0px
full
0px
shadows3 items
sm
4px 4px 0 0 #000000
md
6px 6px 0 0 #000000
lg
10px 10px 0 0 #000000
spacing2 items
base
8px
scale
8, 16, 24, 32, 48, 62, 96
surfaces3 items
treatment
Graphite ink ground with matte bone-paper strips laid on it; dye fills whole regions of a control and never outlines one.
card style
Square panel with a titration band across the head, a hairline seam at the reading, and one hard zero-blur black offset. No outline, no edge rail, no nesting.
bg pattern
A 14px rule cadence borrowed from the burette scale, printed at low contrast on ink and only where no copy sits.
borders4 items
default width
1px
accent width
2px
style
solid
character
Hairline seams only. A 1px rule separates table rows; a 2px seam marks a reading. Never an outline around a card and never a narrow strip hugging a card edge.
motion3 items
duration
620ms
easing
cubic-bezier(0.22,0.61,0.28,1)
philosophy
Nothing fades in for its own sake. A value travels, a front advances, a seam lands. One ease vocabulary across the whole set; beats scale 1x / 1.6x / 2.6x.
rules
composition
One full-bleed plate layer under a 1280px contained measure (1480px above 1800px). Copy sits on quiet ground; full-strength imagery belongs to bands, plates and transitions. Every scroll depth is a composed poster with consistent gutters.
hierarchy
Two display moments in the whole set — the landing wordmark and the endpoint reading. Everything else compresses toward 17px body, with mono furniture at 12px carrying instrument context.
density

Catalogue-exact. Aligned strip rows, seam-marked cells and mono readings pack tightly, held apart by 8px-based spacing with at least 12px above every title.

signature patterns
The turn seam: a paper field, a dye front, a 2px hairline where it stopped, and the reading printed on the hairline.Titration band: a 10px strip across a card's head carrying that card's own reading.The rail: many strips side by side sorted by turn point, so the shape of a batch reads before any number.Threshold wash: a selected or confirmed row takes a chartreuse wash across its whole surface, never an edge mark.Upright strip: avatars, gauges and column charts are the same primitive rotated.
layout
grid
12-column ink page with a 1280px contained measure (1480px above 1800px) and one full-bleed plate layer. The console runs a 1.55fr canvas beside a 1fr queue column, collapsing to one column under 1180px; the landing is a six-scene pinned film on the same measure.
breakpoints

mobile 390px, tablet 768-1024px, desktop 1440px, wide 1920px+ — each art-directed on its own terms.

whitespace

8px base; 24px panel padding, 32px block gaps, 62px section rhythm, 12px minimum above every title.

guidance
do
  • Give every hue one meaning and repeat it across actions, states, rows, cells, charts and steps.
  • Print the reading on the seam so the number and its position stay together.
  • Use the ink or lit variant of an accent whenever that accent has to be read as type.
  • Keep the ground quiet under every line of copy.
  • Write in the bench's real vocabulary: run identifiers, reagent lots, tolerances, analysts, times.
avoid
  • Don't put a coloured stripe, rail or ribbon along the edge of a card, in any artifact.
  • Don't round anything; a rounded corner anywhere breaks the geometry.
  • Don't let a bright accent carry small text over imagery or paper.
  • Don't add glow shadows, decorative gradients or ambient particle fields.
  • Don't inflate the mid-scale; body is 17px and subheads sit close to it.
imagery
pairs with

dyefront

subjects
Bench apparatus, wet paper, and the moment a dye front crosses something — but the style itself is subject-agnostic and dresses a face, a city or a teapot the same way.
composition

Reserve a quiet black region for type in every plate; place the dye front off-centre so the hard edge does the composing.

palette

Graphite black, bone paper, acid crimson, base indigo, endpoint chartreuse — nothing else.

treatment

Flat frontal studio light, hard-edged colour separation, visible paper fibre in the soaked region, 4x5 sheet-film grain, no gradients in the ground.

avoid

Gradients, glow, bokeh, rainbow spreads, pastel washes, branded objects, any lettering.

katagami spec
# Litmus

## Philosophy

Colour is a reading rather than a garnish. Every stateful surface in Litmus is a paper strip with a dye field and a hairline seam at the point the measurement stopped, and the number is printed on that seam so a value is never separated from the position it came from.

### Values

- semantic colour
- measured honesty
- square geometry
- instrument legibility
- editorial restraint

### Anti-Values

- decorative hue
- rounded softness
- glow and gradient
- ambient particle weather
- status by hue alone

### Visual Character

- graphite ink ground with square bone-paper strips and hard zero-blur black offsets
- a 2px ruler-straight seam on every stateful control with the reading set on it in mono
- dye fills occupy whole regions of a control and never outline one
- IBM Plex Mono for anything an instrument measured; Archivo at 17px regular for prose
- border-radius 0 on every element in every artifact

### Lineage

> A reimagining of Chromatic Decision Lab: the same conviction that colour must carry meaning, moved from a calm white workbench onto an ink bench where the hue arrives as a dye front and stops at a seam.

## Tokens

### Colors

| Name | Value |
|------|-------|
| bg | `#0F1014` |
| surface | `#17181D` |
| surface_solid | `#F1EEE5` |
| text | `#EFECE3` |
| muted | `#8C8E97` |
| border | `#26282F` |
| accent | `#E51F4B` |
| accent_2 | `#2A47B8` |
| accent_soft | `#C7E01B` |
| on_accent | `#F5F2E9` |
| success | `#C7E01B` |
| warning | `#E8A317` |
| error | `#E51F4B` |
| info | `#2A47B8` |

### Typography

- **Base Size**: 17px
- **Body Font**: Archivo
- **Heading Font**: Archivo
- **Mono Font**: IBM Plex Mono
- **Heading Weight**: 700
- **Heading Transform**: none
- **Letter Spacing**: -0.02em
- **Line Height**: 1.55
- **Scale Ratio**: 1.28
- **Google Fonts Url**: https://fonts.googleapis.com/css2?family=Archivo:wght@400;500;600;700&family=IBM+Plex+Mono:wght@400;500&display=swap

### Radii

- **None**: 0px
- **Md**: 0px
- **Lg**: 0px
- **Full**: 0px

### Shadows

- **Sm**: 4px 4px 0 0 #000000
- **Md**: 6px 6px 0 0 #000000
- **Lg**: 10px 10px 0 0 #000000

### Spacing

- **Base**: 8px
- **Scale**: 8, 16, 24, 32, 48, 62, 96

### Surfaces

- **Treatment**: Graphite ink ground with matte bone-paper strips laid on it; dye fills whole regions of a control and never outlines one.
- **Card Style**: Square panel with a titration band across the head, a hairline seam at the reading, and one hard zero-blur black offset. No outline, no edge rail, no nesting.
- **Bg Pattern**: A 14px rule cadence borrowed from the burette scale, printed at low contrast on ink and only where no copy sits.

### Borders

- **Default Width**: 1px
- **Accent Width**: 2px
- **Style**: solid
- **Character**: Hairline seams only. A 1px rule separates table rows; a 2px seam marks a reading. Never an outline around a card and never a narrow strip hugging a card edge.

### Motion

- **Duration**: 620ms
- **Easing**: cubic-bezier(0.22,0.61,0.28,1)
- **Philosophy**: Nothing fades in for its own sake. A value travels, a front advances, a seam lands. One ease vocabulary across the whole set; beats scale 1x / 1.6x / 2.6x.

## Rules

### Composition

One full-bleed plate layer under a 1280px contained measure (1480px above 1800px). Copy sits on quiet ground; full-strength imagery belongs to bands, plates and transitions. Every scroll depth is a composed poster with consistent gutters.

### Hierarchy

Two display moments in the whole set — the landing wordmark and the endpoint reading. Everything else compresses toward 17px body, with mono furniture at 12px carrying instrument context.

### Density

Catalogue-exact. Aligned strip rows, seam-marked cells and mono readings pack tightly, held apart by 8px-based spacing with at least 12px above every title.

### Signature Patterns

- The turn seam: a paper field, a dye front, a 2px hairline where it stopped, and the reading printed on the hairline.
- Titration band: a 10px strip across a card's head carrying that card's own reading.
- The rail: many strips side by side sorted by turn point, so the shape of a batch reads before any number.
- Threshold wash: a selected or confirmed row takes a chartreuse wash across its whole surface, never an edge mark.
- Upright strip: avatars, gauges and column charts are the same primitive rotated.

## Layout

### Grid

12-column ink page with a 1280px contained measure (1480px above 1800px) and one full-bleed plate layer. The console runs a 1.55fr canvas beside a 1fr queue column, collapsing to one column under 1180px; the landing is a six-scene pinned film on the same measure.

### Breakpoints

mobile 390px, tablet 768-1024px, desktop 1440px, wide 1920px+ — each art-directed on its own terms.

### Whitespace

8px base; 24px panel padding, 32px block gaps, 62px section rhythm, 12px minimum above every title.

## Guidance

### Do

- Give every hue one meaning and repeat it across actions, states, rows, cells, charts and steps.
- Print the reading on the seam so the number and its position stay together.
- Use the ink or lit variant of an accent whenever that accent has to be read as type.
- Keep the ground quiet under every line of copy.
- Write in the bench's real vocabulary: run identifiers, reagent lots, tolerances, analysts, times.

### Don't

- Don't put a coloured stripe, rail or ribbon along the edge of a card, in any artifact.
- Don't round anything; a rounded corner anywhere breaks the geometry.
- Don't let a bright accent carry small text over imagery or paper.
- Don't add glow shadows, decorative gradients or ambient particle fields.
- Don't inflate the mid-scale; body is 17px and subheads sit close to it.

## Imagery Direction

### Pairs With

dyefront

### Subjects

Bench apparatus, wet paper, and the moment a dye front crosses something — but the style itself is subject-agnostic and dresses a face, a city or a teapot the same way.

### Composition

Reserve a quiet black region for type in every plate; place the dye front off-centre so the hard edge does the composing.

### Palette

Graphite black, bone paper, acid crimson, base indigo, endpoint chartreuse — nothing else.

### Treatment

Flat frontal studio light, hard-edged colour separation, visible paper fibre in the soaked region, 4x5 sheet-film grain, no gradients in the ground.

### Avoid

Gradients, glow, bokeh, rainbow spreads, pastel washes, branded objects, any lettering.
DESIGN.md
---
version: "alpha"
name: "Litmus"
description: "Agent-curated design language exported from Katagami as DESIGN.md."
colors:
  bg: "#0F1014"
  surface: "#17181D"
  surface_solid: "#F1EEE5"
  text: "#EFECE3"
  muted: "#8C8E97"
  border: "#26282F"
  accent: "#E51F4B"
  accent_2: "#2A47B8"
  accent_soft: "#C7E01B"
  on_accent: "#F5F2E9"
  success: "#C7E01B"
  warning: "#E8A317"
  error: "#E51F4B"
  info: "#2A47B8"
typography:
  headline-lg:
    fontFamily: "Archivo"
    fontSize: "2.075rem"
    fontWeight: 700
    lineHeight: 1.1
    letterSpacing: "-0.02em"
  headline-md:
    fontFamily: "Archivo"
    fontSize: "1.66rem"
    fontWeight: 600
    lineHeight: 1.15
    letterSpacing: "-0.02em"
  body-md:
    fontFamily: "Archivo"
    fontSize: "17px"
    fontWeight: 400
    lineHeight: 1.5
    letterSpacing: "-0.02em"
  label-md:
    fontFamily: "IBM Plex Mono"
    fontSize: "0.75rem"
    fontWeight: 600
    lineHeight: 1
    letterSpacing: "0.08em"
rounded:
  none: "0px"
  md: "0px"
  lg: "0px"
  full: "0px"
spacing:
  base: "8px"
components:
  color-reference-bg:
    backgroundColor: "{colors.bg}"
  color-reference-surface:
    backgroundColor: "{colors.surface}"
  color-reference-surface_solid:
    backgroundColor: "{colors.surface_solid}"
  color-reference-text:
    backgroundColor: "{colors.text}"
  color-reference-muted:
    backgroundColor: "{colors.muted}"
  color-reference-border:
    backgroundColor: "{colors.border}"
  color-reference-accent:
    backgroundColor: "{colors.accent}"
  color-reference-accent_2:
    backgroundColor: "{colors.accent_2}"
  color-reference-accent_soft:
    backgroundColor: "{colors.accent_soft}"
  color-reference-on_accent:
    backgroundColor: "{colors.on_accent}"
  color-reference-success:
    backgroundColor: "{colors.success}"
  color-reference-warning:
    backgroundColor: "{colors.warning}"
  color-reference-error:
    backgroundColor: "{colors.error}"
  color-reference-info:
    backgroundColor: "{colors.info}"
  button-primary:
    backgroundColor: "{colors.accent}"
    textColor: "#000000"
    typography: "{typography.label-md}"
    rounded: "{rounded.md}"
    padding: "{spacing.base}"
  card-surface:
    backgroundColor: "{colors.surface}"
    textColor: "{colors.text}"
    rounded: "{rounded.md}"
    padding: "{spacing.base}"
  input-default:
    backgroundColor: "{colors.surface}"
    textColor: "{colors.text}"
    rounded: "{rounded.md}"
    height: "44px"
---

# Litmus

## Overview

Colour is a reading rather than a garnish. Every stateful surface in Litmus is a paper strip with a dye field and a hairline seam at the point the measurement stopped, and the number is printed on that seam so a value is never separated from the position it came from.

### Values

- semantic colour
- measured honesty
- square geometry
- instrument legibility
- editorial restraint

### Anti-Values

- decorative hue
- rounded softness
- glow and gradient
- ambient particle weather
- status by hue alone

### Visual Character

- graphite ink ground with square bone-paper strips and hard zero-blur black offsets
- a 2px ruler-straight seam on every stateful control with the reading set on it in mono
- dye fills occupy whole regions of a control and never outline one
- IBM Plex Mono for anything an instrument measured; Archivo at 17px regular for prose
- border-radius 0 on every element in every artifact

### Lineage

> A reimagining of Chromatic Decision Lab: the same conviction that colour must carry meaning, moved from a calm white workbench onto an ink bench where the hue arrives as a dye front and stops at a seam.

## Colors

Use the YAML color tokens as the normative palette. The prose below names the roles agents should preserve when generating UI.

| Token | Value |
|-------|-------|
| bg | `#0F1014` |
| surface | `#17181D` |
| surface_solid | `#F1EEE5` |
| text | `#EFECE3` |
| muted | `#8C8E97` |
| border | `#26282F` |
| accent | `#E51F4B` |
| accent_2 | `#2A47B8` |
| accent_soft | `#C7E01B` |
| on_accent | `#F5F2E9` |
| success | `#C7E01B` |
| warning | `#E8A317` |
| error | `#E51F4B` |
| info | `#2A47B8` |

## Typography

- **Headline-Lg**: Archivo, 2.075rem, weight 700, line-height 1.1.
- **Headline-Md**: Archivo, 1.66rem, weight 600, line-height 1.15.
- **Body-Md**: Archivo, 17px, weight 400, line-height 1.5.
- **Label-Md**: IBM Plex Mono, 0.75rem, weight 600, line-height 1.

## Layout

### Spacing Tokens

- **Base**: `8px`

### Grid

12-column ink page with a 1280px contained measure (1480px above 1800px) and one full-bleed plate layer. The console runs a 1.55fr canvas beside a 1fr queue column, collapsing to one column under 1180px; the landing is a six-scene pinned film on the same measure.

### Breakpoints

mobile 390px, tablet 768-1024px, desktop 1440px, wide 1920px+ — each art-directed on its own terms.

### Whitespace

8px base; 24px panel padding, 32px block gaps, 62px section rhythm, 12px minimum above every title.

## Elevation & Depth

### Shadows

- **Sm**: 4px 4px 0 0 #000000
- **Md**: 6px 6px 0 0 #000000
- **Lg**: 10px 10px 0 0 #000000

## Shapes

### Rounded

- **None**: `0px`
- **Md**: `0px`
- **Lg**: `0px`
- **Full**: `0px`

### Surfaces

- **Treatment**: Graphite ink ground with matte bone-paper strips laid on it; dye fills whole regions of a control and never outlines one.
- **Card Style**: Square panel with a titration band across the head, a hairline seam at the reading, and one hard zero-blur black offset. No outline, no edge rail, no nesting.
- **Bg Pattern**: A 14px rule cadence borrowed from the burette scale, printed at low contrast on ink and only where no copy sits.

### Borders

- **Default Width**: 1px
- **Accent Width**: 2px
- **Style**: solid
- **Character**: Hairline seams only. A 1px rule separates table rows; a 2px seam marks a reading. Never an outline around a card and never a narrow strip hugging a card edge.

## Components

### Composition

One full-bleed plate layer under a 1280px contained measure (1480px above 1800px). Copy sits on quiet ground; full-strength imagery belongs to bands, plates and transitions. Every scroll depth is a composed poster with consistent gutters.

### Hierarchy

Two display moments in the whole set — the landing wordmark and the endpoint reading. Everything else compresses toward 17px body, with mono furniture at 12px carrying instrument context.

### Density

Catalogue-exact. Aligned strip rows, seam-marked cells and mono readings pack tightly, held apart by 8px-based spacing with at least 12px above every title.

### Signature Patterns

- The turn seam: a paper field, a dye front, a 2px hairline where it stopped, and the reading printed on the hairline.
- Titration band: a 10px strip across a card's head carrying that card's own reading.
- The rail: many strips side by side sorted by turn point, so the shape of a batch reads before any number.
- Threshold wash: a selected or confirmed row takes a chartreuse wash across its whole surface, never an edge mark.
- Upright strip: avatars, gauges and column charts are the same primitive rotated.

## shadcn/ui Usage

When the target app uses shadcn/ui, copy DESIGN.md with shadcn instead of the plain DESIGN.md. It contains the same Katagami design-language source plus the shadcn/ui primitives, imports, theme variables, component recipes, and preview-shot guidance.

DESIGN.md with shadcn: `/language/en-019ffc43-e769-78a2-8e7e-3d48d41e968b/DESIGN.with-shadcn.md`.

The shadcn page also exposes optional machine-readable files for automation, but the human-facing handoff is DESIGN.md with shadcn.

Install recommended primitives with `npx shadcn@latest add button card input textarea select dialog sheet tabs badge separator checkbox switch slider tooltip dropdown-menu table`.

Use these primitives in shadcn apps:
- button
- card
- input
- textarea
- select
- dialog
- sheet
- tabs
- badge
- separator
- checkbox
- switch
- slider
- tooltip
- dropdown-menu
- table

Implementation rule for agents: import shadcn primitives from `@/components/ui/*`, apply the generated CSS variables first, then compose the language-specific recipes from the companion MD. Katagami remains the source of truth; shadcn names are the implementation surface.

## Do's and Don'ts

- Do Give every hue one meaning and repeat it across actions, states, rows, cells, charts and steps.
- Do Print the reading on the seam so the number and its position stay together.
- Do Use the ink or lit variant of an accent whenever that accent has to be read as type.
- Do Keep the ground quiet under every line of copy.
- Do Write in the bench's real vocabulary: run identifiers, reagent lots, tolerances, analysts, times.
- Don't Don't put a coloured stripe, rail or ribbon along the edge of a card, in any artifact.
- Don't Don't round anything; a rounded corner anywhere breaks the geometry.
- Don't Don't let a bright accent carry small text over imagery or paper.
- Don't Don't add glow shadows, decorative gradients or ambient particle fields.
- Don't Don't inflate the mid-scale; body is 17px and subheads sit close to it.

## Imagery Direction

### Pairs With

dyefront

### Subjects

Bench apparatus, wet paper, and the moment a dye front crosses something — but the style itself is subject-agnostic and dresses a face, a city or a teapot the same way.

### Composition

Reserve a quiet black region for type in every plate; place the dye front off-centre so the hard edge does the composing.

### Palette

Graphite black, bone paper, acid crimson, base indigo, endpoint chartreuse — nothing else.

### Treatment

Flat frontal studio light, hard-edged colour separation, visible paper fibre in the soaked region, 4x5 sheet-film grain, no gradients in the ground.

### Avoid

Gradients, glow, bokeh, rainbow spreads, pastel washes, branded objects, any lettering.
shadcn/ui theme
```json
{
  "$schema": "https://ui.shadcn.com/schema/registry-item.json",
  "name": "litmus",
  "type": "registry:theme",
  "title": "Litmus shadcn Theme",
  "cssVars": {
    "theme": {},
    "light": {
      "background": "#0F1014",
      "foreground": "#EFECE3",
      "card": "#17181D",
      "card-foreground": "#EFECE3",
      "popover": "#17181D",
      "popover-foreground": "#EFECE3",
      "primary": "#EFECE3",
      "primary-foreground": "#111111",
      "secondary": "#f4f4f5",
      "secondary-foreground": "#111111",
      "muted": "#8C8E97",
      "muted-foreground": "#EFECE3",
      "accent": "#E51F4B",
      "accent-foreground": "#ffffff",
      "destructive": "#E51F4B",
      "border": "#26282F",
      "input": "#26282F",
      "ring": "#E51F4B",
      "chart-1": "#EFECE3",
      "chart-2": "#f4f4f5",
      "chart-3": "#E51F4B",
      "chart-4": "#C7E01B",
      "chart-5": "#E8A317",
      "sidebar": "#17181D",
      "sidebar-foreground": "#EFECE3",
      "sidebar-primary": "#EFECE3",
      "sidebar-primary-foreground": "#111111",
      "sidebar-accent": "#2A47B8",
      "sidebar-accent-foreground": "#ffffff",
      "sidebar-border": "#26282F",
      "sidebar-ring": "#E51F4B",
      "radius": "0px"
    },
    "dark": {
      "background": "#0f1115",
      "foreground": "#f8fafc",
      "card": "#181b22",
      "card-foreground": "#f8fafc",
      "popover": "#181b22",
      "popover-foreground": "#f8fafc",
      "primary": "#EFECE3",
      "primary-foreground": "#111111",
      "secondary": "#252a33",
      "secondary-foreground": "#f8fafc",
      "muted": "#252a33",
      "muted-foreground": "#a1a1aa",
      "accent": "#E51F4B",
      "accent-foreground": "#ffffff",
      "destructive": "#E51F4B",
      "border": "#303642",
      "input": "#303642",
      "ring": "#E51F4B",
      "chart-1": "#EFECE3",
      "chart-2": "#f4f4f5",
      "chart-3": "#E51F4B",
      "chart-4": "#C7E01B",
      "chart-5": "#E8A317",
      "sidebar": "#181b22",
      "sidebar-foreground": "#f8fafc",
      "sidebar-primary": "#EFECE3",
      "sidebar-primary-foreground": "#111111",
      "sidebar-accent": "#E51F4B",
      "sidebar-accent-foreground": "#ffffff",
      "sidebar-border": "#303642",
      "sidebar-ring": "#E51F4B",
      "radius": "0px"
    }
  },
  "meta": {
    "source": "katagami",
    "languageId": "en-019ffc43-e769-78a2-8e7e-3d48d41e968b",
    "slug": "litmus",
    "componentManifest": [
      "button",
      "card",
      "input",
      "textarea",
      "select",
      "dialog",
      "sheet",
      "tabs",
      "badge",
      "separator",
      "checkbox",
      "switch",
      "slider",
      "tooltip",
      "dropdown-menu",
      "table"
    ],
    "installCommand": "npx shadcn@latest add button card input textarea select dialog sheet tabs badge separator checkbox switch slider tooltip dropdown-menu table",
    "nativeTokenNames": {
      "colors": [
        "accent",
        "accent_2",
        "accent_soft",
        "bg",
        "border",
        "error",
        "info",
        "muted",
        "on_accent",
        "success",
        "surface",
        "surface_solid",
        "text",
        "warning"
      ],
      "typography": [
        "base_size",
        "body_font",
        "google_fonts_url",
        "heading_font",
        "heading_transform",
        "heading_weight",
        "letter_spacing",
        "line_height",
        "mono_font",
        "scale_ratio"
      ],
      "radii": [
        "full",
        "lg",
        "md",
        "none"
      ],
      "shadows": [
        "lg",
        "md",
        "sm"
      ],
      "spacing": [
        "base",
        "scale"
      ],
      "surfaces": [
        "bg_pattern",
        "card_style",
        "treatment"
      ],
      "borders": [
        "accent_width",
        "character",
        "default_width",
        "style"
      ],
      "motion": [
        "duration",
        "easing",
        "philosophy"
      ]
    }
  }
}
```
in the wild

embodiments

DESIGN.md

at a glance

Typography

headline-lgArchivo · 33px · 700

The quick brown fox jumps

headline-mdArchivo · 27px · 600

The quick brown fox jumps

body-mdArchivo · 17px · 400

The quick brown fox jumps

label-mdIBM Plex Mono · 12px · 600

The quick brown fox jumps

shadcn/ui

implementation kit

built with
Palette
Credits · in the lineage of
  • Chemigram (camera-less photographic tradition)TraditionThe dye-on-paper technique the art style is built from: light-sensitive paper worked with resists and chemistry to produce hard-edged colour fronts.
  • Dye-transfer printingTraditionSource of the saturated, flat, separated colour fields with no gradient in the ground.
  • Cyanotype and blueprint processesTraditionOrigin of the deep indigo field and the bone-paper ground the language treats as its material.
  • Swiss objective photographyTraditionFlat frontal studio light, high micro-contrast and the subject described in fine tonal relief.
  • Laboratory instrument graphicsTraditionMono readings, burette scales and threshold marks read as an instrument rather than a chart.

A generated style is an aggregate of many influences — credit is given to the artists and traditions it draws on, not a claim of authorship.

remix lane

try a remix

Keep Litmus and swap a palette and an art style onto it. The landing & dashboard recolor live.

UI language · fixed
Litmus
Palette
Art style
Landing Page
live preview · recolored + filled
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